Beethoven: The Symphonies and Concertos
Feb
16

Beethoven: The Symphonies and Concertos

The Beethoven symphonies and concertos form the central core of Western Classical music; each of the nine symphonies and seven concertos comprise a separate world, from heroism and tragedy to the sublimity to brilliant elan. This seminar uses both archival and contemporary performances on CD and DVD to offer entertaining and illuminating perspectives, historical and social, on this perennially fascinating repertory. Register here. | Syllabus

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Film Music: Historical Survey (6 Weeks)
Feb
13
to Mar 20

Film Music: Historical Survey (6 Weeks)

Music in film, both specially composed and/or appropriated, often determines the character and emotional gravity of the greatest films. Spend six dreary winter afternoons immersing yourself in some of the best movie scores with recordings, video, and expert commentary by John Gibbons. Register online now. Tentative Syllabus

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The Spirit of Classicism: Haydn, Mozart, and the Enlightenment
Jan
10
to Feb 28

The Spirit of Classicism: Haydn, Mozart, and the Enlightenment

Pioneering a style of unparalleled versatility and expressiveness, Haydn, Mozart, and the early Beethoven created a musical repertory of elegance, wit, optimism, and logic that remains the benchmark of Western musical culture to this day. This class discusses the evolution and achievements of such genres as the Haydn symphonies and quartets, the Mozart concertos and operas, and the early Beethoven instrumental works in historical, social, and musical contexts. Register Here. Download Syllabus

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Romantic Images and Icons: The Generation of Chopin and Schumann
Jan
8
to Feb 26

Romantic Images and Icons: The Generation of Chopin and Schumann

Using Chopin and Schumann, as well as various contemporaries, as the basis for an examination of the Romantic generation, this class seeks to bring this most fascinating and unruly epoch into focus.  Beyond the context of the first half of the nineteenth century, this class also explores the continued resonance of this repertory today.
Register here. | Download Syllabus

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Twentieth Century Music
Feb
24
to Apr 13

Twentieth Century Music

Twentieth-century music is no longer “contemporary” music; it has become yet another complex and multifaceted notch along the continuum of musical history. We can now examine with reasonable objectivity the influence and permanence of a diverse range of composers...

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Russian Masters
Jun
25
to Aug 13

Russian Masters

We will highlight the flamboyant and coloristic compositional techniques of Borodin and Rimsky-Korsakov,  the elegance and craftsmanship of Tchaikovsky, and the prescient modernism of Mussorgsky with due attention to the beloved virtuoso performance tradition. Download the syllabus

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Beethoven and Schubert: The Sonatas and Quartets
Jun
23
to Aug 11

Beethoven and Schubert: The Sonatas and Quartets

For Beethoven, the sonata was his laboratory or workshop. It was the genre in which he experimented with his most audacious and original ideas, while the quartet decisively marks the culmination of each of his “three periods.” Schubert’s sonatas and quartets express his utterly complementary character in regard to Beethoven. Download Syllabus

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Nationalist Traditions in Music
Jan
15
to Mar 5

Nationalist Traditions in Music

This course focuses on the national traditions often omitted in standard musical survey courses. We will introduce the English and closely-related Scandinavian tradition, and the Eastern European tradition of the Czech, Polish and Hungarian masters. Syllabus

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The String Quartet: A History
Jan
13
to Mar 3

The String Quartet: A History

Compact and homogeneous, expressive and versatile, the string quartet is the preferred chamber music of composers from Haydn (who invented it as a genre) to the current day. Haydn, Mozart, Beethoven, Schubert, Brahms, Wolf, Janáček, Bartók, and Berg’s quartets will be examined. Syllabus

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Fin de Siècle Vienna and Berlin
Oct
2
to Nov 20

Fin de Siècle Vienna and Berlin

Vienna and Berlin constituted a veritable maelstrom of ideologies in the era following the Franco-Prussian War. From the café culture of Vienna to the cynicism of Brecht and Weill’s Berlin, these two cities represent the culmination—and, ultimately, the decadence and destruction—of an entire European culture. Syllabus | Register Online

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Shostakovich (1 day)
Jul
26

Shostakovich (1 day)

A remarkable prodigy who lived during the dangerous political climate of the Stalinist era, Shostakovich crafted a paradoxical style where searing emotional intensity coexisted with politically motivated or mandated paradigms. This class will place his music in context with analysis, lecture, and listening, and personal, literary, and journalistic sources. Syllabus

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