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Upcoming 1-Day Seminar:
What to Listen For in Classical Music

Saturday, September 12, 2009 - Downtown Chicago

 








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Our Latest Picks from Amazon
  • Braunfels - Die Vogel / Kwon · Wodrich · M. Kraus · Gorne · Holzmaier · Zagrosek
    Braunfels - Die Vogel / Kwon · Wodrich · M. Kraus · Gorne · Holzmaier · Zagrosek
    by Walter Braunfels, Lothar Zagrosek, Hellen Kwon, Matthias Görne, Deutsche Sinfonie-Orchester Berlin, Hans Braun, Siegfried Hausmann, Dirk Schmidt Thomas Kober, Iris Vermillion, Endrik Wodrich, Wolfgang Holzmair, Martin Petzold Michael Kraus

    Opera by Walter Braunfels “The Birds” from Aristophanes. Being staged in 2009 in LA Opera’s Recovered Voices program.

  • Wagner: Siegfried (abridged)
    Wagner: Siegfried (abridged)
    Opera D'oro

    Features Friedrich Schorr (Bonnie’s dream Ring pick) as The Wanderer.

  • Piano Concertos for the Left Hand
    Piano Concertos for the Left Hand
    by Martinu, Prokofiev, Nowka

    Siegfried Rapp performs piano concertos for the left hand by Martinu, Prokofiev and Nowka with two different orchestras. Out of print, but available on used on Amazon.

  • Bartók: Piano Concertos Nos. 1 & 2; Stravinsky: 3 Movements from Petrushka
    Bartók: Piano Concertos Nos. 1 & 2; Stravinsky: 3 Movements from Petrushka
    Deutsche Grammophon

    Maurizio Pollini, pianist. Claudio Abbado conducting the Chicago Symphony. The Anda recording is rightly renowned, but John finds this Pollini recording especially brilliant.

  • Bartok: The Piano Concertos / Anda, Fricsay, Radio Symphony Orchestra Berlin
    Bartok: The Piano Concertos / Anda, Fricsay, Radio Symphony Orchestra Berlin
    Deutsche Grammophon
  • Zemlinsky: A Florentine Tragedy
    Zemlinsky: A Florentine Tragedy
    EMI Classics Imports
  • Bartok: The String Quartets (1950 Recordings)
    Bartok: The String Quartets (1950 Recordings)
    by The Juilliard Quartet

    One of many complete recordings of Bartok quartets. Click the photo to see info on this album and then do a search for “bartok string quartets” and it’s a fair bet your favorite string quartet has recorded them.

  • The Copenhagen Ring: The Complete DVD Set
    The Copenhagen Ring: The Complete DVD Set
    starring Stig Andersen, Irenie Theorin, Gitta-Maria Sjoberg, Johan Reuter, Stephen Milling
  • Hindemith: The Long Christmas Dinner
    Hindemith: The Long Christmas Dinner
    Wergo Germany
  • Prokofiev - War and Peace / Bertini, Gunn, Kit, Mamsirova, Gouriakova, Brubaker, Paris Opera
    Prokofiev - War and Peace / Bertini, Gunn, Kit, Mamsirova, Gouriakova, Brubaker, Paris Opera
    starring Olga Gouriakova, Nathan Gunn, Robert Brubaker, Anatoli Kocherga, Yelena Obraztsova
  • Friedrich Schorr Sings Wagner
    Friedrich Schorr Sings Wagner
    Hanssler Classics

    Friedrich Schorr was a noted Wotan of the 30s and 40s. This recording features highlights from Die Meistersinger, The Flying Dutchman and a heart-rending Wotan’s Farewell.


Amazon’s Suggestions for You:

Graham School Class Info: Chamber Music | Tchaikovsky

Monday
15Jun

Is Tchaikovsky an 18th Century Composer?

From tchaikovsky-research.orgSome comments concerning my rereading of Richard Taruskin’s chapter “Tchaikovsky and the Human” from his book Defining Russia Musically. Taruskin’s contention is that Tchaikovsky’s explicit advocacy of autocratic rule and its social structure, coupled with his determination to provide musical entertainment rather than dragoon a listener into the creator’s private egotistical orbit makes Tchaikovsky’s agenda an 18th century one.

Taruskin’s claim that Tchaikovsky is essentially an 18th century composer needs to be taken seriously; not because of his (neoclassic) pastisches, not because of his adoration of Mozart, and certainly not because of some similarity of technical means or stylistic profile — but because Tchaikovsky’s explicit aims and vision of the prupose of art is so consonent with Mozart and his colleagues’ musical aims. But what a composer wants to accomplish isn’t necessarily what he does accomplish.

Click to read more ...

Friday
05Jun

Get to know Tchaikovsky Online

Sheepishly, as usual, I find myself down to the wire in releasing the syllabus and book recommendations for my two upcoming classes that start next week.

But those in the Tchaikovsky course (beginning this coming Thursday) are in luck. Bonnie has located two free web resources to introduce you to Tchaikovsky’s biography and milieu through the prism of his Fourth Symphony (one of his two “biographical” symphonies).

The first is a 60-minute web video on the Chicago Symphony Orchestra’s website, captured from their terrific “Beyond the Score” program. Narrator Gerard McBurney interprets the symphony as a convergence of Tchaikovsky’s literary influences and personal romantic upheavals. Like any self-respecting, late romantic orchestral composer, it seems that Tchaikovsky cast himself as his favorite literary characters, viewed his own romantic disappointments as another episode of Eugene Onegin or War and Peace, and used the fourth symphony as the soundtrack.

The second pick is another treatment of the Fourth Symphony from the Keeping Score website (a project of Michael Tilson Thomas and the San Francisco Symphony). Rather than watching a straight video, you play interactively with the four movements of the 4th Symphony as a representation of Fate, Childhood, Play and Russia. Bonus features include a timeline showing Tchaikovsky’s contemporaries and a look at the instruments and their special moments in the symphony. In addition to the free web application, there’s a DVD for rent on Netflix or for sale on Amazon.

Both of these are an entertaining basic intro to Tchaikovsky himself as well as the symphony. The CSO program is more literary, while the SanFran program tells you a little more about the music of the symphony and the historical context.

Thursday
14May

Summer Classes

Registration online is available for my upcoming summer classes.

Chamber Music 

Tuesdays starting June 9. Click here to register.

Counts as a Music Genre course for the Language of Music Certificate.
This course celebrates chamber music other than the oft-studied string quartet and solo keyboard repertoire. We will examine the dynamics of various groupings and the evolution of form from the classical era to the explosion of new possibilities in the post-romantic era. Works include (but are not limited to): Haydn trios, Mozart string quintets, Beethoven trios (including the “Archduke”), Schubert trios, Brahms quintets and sextets, and a look at the duo sonata (keyboard and solo instrument) as a genre.

Tchaikovsky

Thursdays starting June 11. Click here to register

This course will give Tchaikovsky his due as a Russian nationalist and reveal how gracefully he navigated between the sometimes rough-hewn Slavocentrism of his contemporaries, “The Five,” and the technical demands of Western cosmopolitanism. With his profound melodic gift, Tchaikovsky also entranced audience after audience and provided us with a living soundtrack for 19th century Russia. Works studied: Swan Lake, the magnificent Pushkin operas Queen of Spades and Eugene Onegin, the supposedly autobiographical fourth and sixth symphonies, and more.

And now, just for fun, how about some musical trivia?

Trivia Question

On this 4th day of the workweek, what brothers-in-law each wrote a quartet of quartets? Show Answer
Wednesday
06May

Opera Plots in 140 Characters

Can you Name That Opera based on these summaries? (Answers below.)

  1. @urbanophile - Ur a psycho but I married you anyway. “Don’t ask me about my business.” Sorry, I gots to know. Ok, it’s Door #7 for you, bitch.
  2. @otterhouse - If a cigarette doesn’t kill you, the girl who made it will…
  3. @ogiovetti - Any port in a storm. Tall dark and mysterious wants my daughter. She wants to save him, but can she be faithful? Splashy splashy.

Click to read more ...

Tuesday
05May

Why I Picked Nicolai Gedda

In my last post I nominated Nicolai Gedda as Loge for my dream Ring Cycle. Of course, one might protest that Gedda didn’t sing Wagner (other than excerpts) after his one Lohengrin in Stockholm. I don’t care, and I’m not the only one. My dad had recorded, back in the 80s, an episode from George Jellinek’s radio show The Vocal Scene on Wagnerian tenors and he, too, treated Gedda’s performance of In fernam Land (the Grail narrative) as “a model in every respect” while dutifully pointing out that Gedda hadn’t continued to pursue Wagner.

Click to read more ...

Wednesday
29Apr

My Ring Cycle Dream Cast

This is a response to the audience question in the past few Met Opera quizzes. Audiences were asked to cast their dream Ring and came up with pretty secure choices: Furtwängler, Melchior, Nilsson…

The Met quiz required that the cast be assembled from artists no longer active. I’m going to reserve the right to choose current/recent artists as well. In those cases where I’ve implemented the cop-out of multiple choices, I’ve forced myself to asterisk the artist I would choose if I had to.

I hope I can get John to weigh in but in the meantime, here’s what I’d do if someone died and made me Wolfgang (and gave me a time machine):

Click to read more ...