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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 18 Feb 2012 02:46:26 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Tchaikovsky</title><subtitle>Tchaikovsky</subtitle><id>http://holdekunst.com/tchaikovsky-class/</id><link rel="alternate" type="application/xhtml+xml" href="http://holdekunst.com/tchaikovsky-class/"/><link rel="self" type="application/atom+xml" href="http://holdekunst.com/tchaikovsky-class/atom.xml"/><updated>2009-06-10T20:15:00Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Week 8: Final Years</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-8-final-years.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-8-final-years.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:12:19Z</published><updated>2009-06-10T20:12:19Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">The circumstances of Tchaikovsky&#8217;s death. Featured work: Symphony No. 6, Pathetique.<br /> <br /> </span></p>
]]></content></entry><entry><title>Week 7: The Sovereign Ballet Composer</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-7-the-sovereign-ballet-composer.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-7-the-sovereign-ballet-composer.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:11:11Z</published><updated>2009-06-10T20:11:11Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">The sovereign ballet composer: musical analysis &amp; DVD of <em>Swan Lake</em>, <em>Sleeping Beauty</em> and <em>Romeo &amp; Juliet</em>. </span></p>
]]></content></entry><entry><title>Week 6: International Master</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-6-international-master.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-6-international-master.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:10:40Z</published><updated>2009-06-10T20:10:40Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky the international master. The Imperial Tchaikovsky. Tchaikovsky vis a vis Brahms, Wagner. Featured works: Second Piano Concerto, Fifth Symphony, Piano trio, Violin Concerto.<br /> </span></p>
]]></content></entry><entry><title>Week 5: Tchaikovsky's Operatic Style</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-5-tchaikovskys-operatic-style.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-5-tchaikovskys-operatic-style.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:08:38Z</published><updated>2009-06-10T20:08:38Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky as an opera composer, Tchaikovsky and Rimsky-Korsakov, Tchaikovsky and Slavic nationalism. Tchaikovsky and Italian and French models. An overview of the operas concentrating on <em>Mazeppa</em> and <em>Pique Dame</em>. </span></p>
]]></content></entry><entry><title>Week 4: Antonina and Nadezhda</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-4-antonina-and-nadezhda.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-4-antonina-and-nadezhda.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:06:50Z</published><updated>2009-06-10T20:06:50Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky&#8217;s disastrous marriage to Antonina Milyukova. His patroness, Nadezhda von Meck. Fourth Symphony, <em><span style="text-decoration: underline;">Eugene Onegin</span></em> (opera), Choral work, Liturgy of St. John Christotam.</span></p>
]]></content></entry><entry><title>Week 3: Tchaikovsky's Orchestral Style</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-3-tchaikovskys-orchestral-style.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-3-tchaikovskys-orchestral-style.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:02:12Z</published><updated>2009-06-10T20:02:12Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky&#8217;s orchestral Style. Featured works: The Four Suites, Hamlet, <em>Manfred</em> Symphony. </span></p>
]]></content></entry><entry><title>Week 2: Established in Moscow</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-2-established-in-moscow.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-2-established-in-moscow.html"/><author><name>John Gibbons</name></author><published>2009-06-10T20:00:15Z</published><updated>2009-06-10T20:00:15Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><strong><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;"></span></strong><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky as professor in Moscow. Tchaikovsky&#8217;s social circle. Featured works: Second Symphony, First Piano Concerto, <em>The Tempest</em>.</span></p>
]]></content></entry><entry><title>Week 1: Formative Years</title><category term="Syllabus"/><id>http://holdekunst.com/tchaikovsky-class/week-1-formative-years.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/week-1-formative-years.html"/><author><name>John Gibbons</name></author><published>2009-06-10T19:58:37Z</published><updated>2009-06-10T19:58:37Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 11pt; font-family: &quot;Times New Roman&quot;,&quot;serif&quot;;">Tchaikovsky at the School of Jurisprudence and the St. Petersburg Conservatory. Anton and Nikolai Rubinstein, Tchaikovsky and Balakirev. Featured: 1st Symphony, 1st String Quartet, <em>Romeo &amp; Juliet</em>. </span></p>
]]></content></entry><entry><title>Interactive Web Sites</title><category term="Biography"/><category term="Symphony No. 4"/><category term="Web Sites"/><id>http://holdekunst.com/tchaikovsky-class/interactive-web-sites.html</id><link rel="alternate" type="text/html" href="http://holdekunst.com/tchaikovsky-class/interactive-web-sites.html"/><author><name>John Gibbons</name></author><published>2009-05-30T18:37:32Z</published><updated>2009-05-30T18:37:32Z</updated><summary type="html" xml:lang="en-US"><![CDATA[From the Chicago Symphony Orchestra&#8217;s Beyond the Score to Michael Tilson Thomas Keeping Score program, these resources combine musical performance with biography to put Tchaikovsky&#8217;s music in historical context.
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