When the Baroque movement took a musical turn, the result was an astonishing expansion of forms and techniques for composers, and a new range of virtuoso possibilities for performers. We will study Baroque instrumental styles and genres (sonatas, concertos, and virtuoso keyboard works), the sacred choral repertoire (cantatas and oratorios), and the birth of opera. We will study composers such as Monteverdi, Gluck, Bach, Scarlatti, Handel, Vivaldi and Purcell. Modern performance practice topics such as the rebirth of the countertenor and the question of historical authenticity will also be discussed.
About the Listening selections: These links will allow you to play up to 25 full tracks per month on your computer at Rhapsody.com Optional subscription services allow for unlimited listening. (Learn more.) Especially for more esoteric works, selections on this page may not match those discussed in class, but will give an idea of the composer’s style. In some cases we have provided links to the composer’s homepage where you may choose your own selections. Where that is the case, it means that either the particular work is not in their database, or that a final choice for class subject matter was not made by the time the page was updated.
Week 1:
Week 2
Week 3
Week 4: Concerti grossi
Week 5: George Frederick Handel (1685-1759)
Week 6: Johann Sebastian Bach (1685-1750), Part 1
Week 7: Bach, Part 2: The Great Choral Works
Week 8: Transition