The Abduction of Operaby Heather Mac Donald
Can the Met stand firm against the trashy productions of trendy nihilists?
Elitism and the Marketplace in OperaOne of the ironies implicit in the Mac Donald essay, discussed in this forum yesterday, is that traditional and respectful performances of the standard repertory may soon be presented by, and enjoyed by, a sort of elite; an elite distinguished by sane cultural values as opposed to a common denominator of hubristic trash which will come to “abduct” operatic culture. Well, this is unlikely, except just possibly in Germany, but it could happen, I guess. It seems like it is happening, actually, by some barometers.
Regietheatre: It's a FadI recently recommended the Heather Mac Donald article, “
The Abduction of Opera” which appeared in City Journal. I continue to recommend this unusually astute evaluation of some of the directorial excesses afflicting the operatic world today, but would like to comment more specifically, and include a few reservations.
This Is InsaneAccording to the NY Times for Tuesday, July 31, Katharina Wagner’s new production of
Die Meistersinger for the Bayreuth Festival featured topless dancers, complete male nudity, plastic phalluses, and “a bizzare auto da-fe” In the third act. For years I've vacillated back and forth about the validity of such productions.