Some Clarifications and Amplifications: Barber, Taruskin, and SnobberyAm I permitted to say that my comment on listeners “being free to luxuriate in the beautiful melodies” of the Barber concerto is an observation, not a condemnation? At least I didn’t
consciously try to put down Barber’s audience; and if I put down Barber’s audience
subconsciously, it is probably due to my own insecurities, and not to a rational evaluation of the nature of his audience.
Barber's Violin ConcertoIf I approach this work (composed in 1939) with hostility, I can say nothing valuable about it. And if I object to the piece’s seeming lack of complexity, this only says that I personally prefer complex music, which I do, but which is totally irrelevant to any meaningful discussion of the Barber.